As you may have already guessed from the name of this blog, I love Roman pine trees. I adore them actually. Today I have come to the pines for some inspiration. I am writing this from a bench in my favorite spot in Villa Pamphilj, where the pine trees grow in straight parallel lines. No, I didn't bring my computer to the park. I would never commit that sacrilege! I am writing this out longhand. It almost feels like I'm writing in a diary, perfect for the post I have in mind.
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About a month ago, I was inspired to write three long-hand, stamped, mailed letters and I wrote about it here. Well, bloglings, for all of you out there who thought I was crazy, old-fashioned, living in the past, behind the times, technologically challenged, or unable to accept the reality of this changing world we live in, well, all I have to say is, look what was waiting for me when I got home today:
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Yesterday I posted about the new exhibit at Castel Sant’Angelo that brings together dozens of works of art illustrating the fable of Cupid and Psyche. This show, as I wrote yesterday, particularly interested me because I love the idea of an exhibit that tells a story. And what a story, with jealousy, diversity, courage, trust, abandonment, forgiveness and true love conquering all odds, well, Disney could not have topped it.
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Psyche (whose name means either 'soul' or 'butterfly') is the youngest of three daughters of a king. (Although Psyche is sometimes depicted with butterfly wings, she is a mortal.) Although all three sisters are lovely, Psyche is the most beautiful by far, and people come from distant lands just for the pleasure of admiring her beauty. As you can imagine, this causes Venus, the goddess of beauty, to become enraged with jealousy.
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Those of you who know me well, know that I like to post about a new exhibit if not the day it opens, then at least that same week. As Lux in Arcana: The Vatican Secret Archives Revealed at the Capitoline Museums was the most highly anticipated exhibition of the year (century?) for me, it might be surprising that I have waited so long to write about it. I wrote an article on the exhibit for the Traveller, the Sunday travel magazine of both the Sydney Morning Herald and the Melbourne Age. Here's an excerpt:
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As if you didn't need another excuse to visit the just-about-to-end Renaissance in Rome exhibit at Palazzo Venezia, here is one more! Marcello Venusti created a copy of Michelangelo's epic Last Judgement in the Sistine Chapel before the latter was brutally censored under Pope Pius IV in 1565. Daniele da Volterra was forced to do the dirty work against his will. He was one of Michelangelo's most devout and adoring followers and he agreed to censor the work only because he was told it would otherwise be destroyed.
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One thing these two shows have in common is that each has a work of art on display that has been recently attributed to one of the two passionately adored Michelangelos. At The Renaissance in Rome, the so-called Pietà of Ragusa, literally discovered behind a couch in a middle-class home in Buffalo, New York, recently restored and on display publicly for the first time, is allegedly a long-lost work by Michelangelo Buonarroti himself.
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While I am always up for a new exhibit, I wasn’t expecting to be blown away by this one. I showed up at the exhibit expecting to see some melting clocks and such. I don’t think it’s a mystery to anyone who reads this blog what my artistic preferences are. I have absolutely nothing against Surrealism, but it doesn’t exactly boil my blood either. Nevertheless, this exhibition did.
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If you're getting a bit ODed on Italian art, if Caravaggio, Tintoretto, Guercino and all the Renaissance masters are getting you down, if you're an American, like me, living in Rome and trying to make sense of this crazy country, and just need a little bit of home so that things will make sense again, then have I got an exhibit for you! (There's always something on in Rome to solve any problem!)
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Hello my sweet bloglings, have I got a treat for you today! A brand new exhibit opened this past Friday at the Museum of Rome in Trastevere. On display are 40 works by Roman contemporary photographer Andrea Pacanowski. One look at these images will send your mind swirling in a kaleidoscope of colors, but there's something else, something you won't believe.
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